Where bolded slugs get annoying is when there are a lot of short scenes or the writer is a slug-lover, so that four times a page, we’re stuck staring at big chunky ugly disruptive lines of text.
And to a certain extent, they make sense, as they visually signify a new location or scene, which can be helpful to the reader.
#Things and people script slugline full#
But for the most part, try to write full sentences.īOLDED SLUGS (or BOLDED UNDERLINED SLUGS)īolded slugs (or bolded underline slugs) have become in fashion lately. There are also times when it works in action sequences. So the confused stutter-pattern of clipped writing helps convey the character’s confusion. Maybe, for example, a character wakes up at the beginning of the script and is confused. For that reason, this style probably shouldn’t be used outside of special situations. After awhile, the reader starts to feel like they’re reading an illiterate robot. The problem is, some people have taken this so far that it’s unclear what’s being said. The idea behind this is that traditional writing is too long-winded for screenplays, which require a more “to the point” approach. With that said, here are some common issues I run into when I read scripts.Ĭlipped writing is something I see a fair amount of. The theme you’ll find here is that while some approaches are preferable to others, every writing choice you make should be made for one reason: it’s the best way to tell the story at that particular moment. While not as important as story, the choices in how one presents his work can have a big influence on how the reader interprets it.
The way it’s written, the way it looks to a reader on the page. We’re going to talk about the actual PRESENTATION of a screenplay. We’re going to do something a little different in today’s article.
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